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藝術(shù)家簡介


  翠西·艾敏1963年7月3日生于一個(gè)英國的藝術(shù)家家庭。雖然出生在倫敦,但她是在一個(gè)叫Margate的小鎮(zhèn)長大的。翠西很小的時(shí)候,她父親拋棄了她們一家娶了另外一個(gè)女人,這直接導(dǎo)致了翠西之后的不幸遭遇,除了生活的貧困之外,她14歲的時(shí)候不幸的被強(qiáng)奸了。成年后的翠西繼續(xù)延續(xù)著混亂和歷經(jīng)痛苦的生活,酗酒,抑郁癥,濫交,數(shù)次流產(chǎn),等等,這些痛苦的經(jīng)歷成了她藝術(shù)創(chuàng)作的直接來源。

  翠西·艾敏的作品使用的媒介很廣泛,包括針線手繡,雕塑,素描,繪畫,攝影,霓虹燈,視頻和裝置等。作為90年代初英國著名的YBA(英國青年藝術(shù)家)群體代表性的成員之一,翠西的才華和她引發(fā)的爭議在英國是無與倫比的。英國媒體曾經(jīng)說過,“翠西·艾敏的作品必須參照著她的個(gè)人一起看。”可見,人們對她這個(gè)人的好奇程度甚至勝過了她的作品。

  翠西的作品是一種日記體式的表達(dá),如果把她所有作品放在一起,看起來就像她的一部自傳。翠西對講故事非常迷戀,她的作品里常常都出現(xiàn)她手寫的只言片語,這些文字以一種任性的方式出現(xiàn),帶著翠西標(biāo)志的特殊拼寫錯誤和詞序,像是一個(gè)自相矛盾,但又是對這樣的存在確信不疑的聲明。

  Everyone I Have Ever Slept With( 1963–1995)是翠西在1997年完成的作品,這件作品的主體是一個(gè)藍(lán)色帳篷,在帳篷里翠西寫下從1963年到1995年期間和她睡過的所有男人的名字,這些人包括她的性伴侶,她的雙胞胎哥哥,和她的兩個(gè)流產(chǎn)的孩子。這件作品在Charles Saatchi舉辦的那個(gè)著名展覽Sensation上展出并產(chǎn)生了強(qiáng)烈的反響。盡管它的題目容易令人遐想,但這并不是像人們想象那樣是一件傳達(dá)出性意味的作品,這是翠西的個(gè)人世界,是她和那些與之生活過的人們的關(guān)聯(lián)性感受,這是一件讓人看了之后心生暖意的作品。

  這種日記式的表達(dá)方式對翠西本人來說就像是一種對過往的清理和洗滌,就像她說的:“這就像清洗我的靈魂。這不僅僅是擺脫過去的精神重負(fù),或者是赤裸裸的呈現(xiàn),沒有那么簡單——確實(shí)有實(shí)實(shí)在在的事情發(fā)生在我身上。”

  根據(jù)她自己的真實(shí)生活,翠西常常在揭示痛苦的時(shí)候表現(xiàn)出一種毫無保留的坦誠。她把自己經(jīng)歷過的痛苦以一種簡單,坦率,甚至是殘酷的方式傳達(dá)了出來,叛逆不羈卻又充滿自我懷疑。就像1999年在英國的Tate美術(shù)館展出的那件來自翠西的著名裝置作品“床”,在這件作品里,她把別人視為骯臟或者是羞于見人的東西全部都展示了出來,一張亂糟糟的還沒來得及整理的床,用過的避孕套,有血污的內(nèi)褲,衛(wèi)生巾,伏特加酒瓶,藥盒,空煙盒,破拖鞋,床下是一條臟兮兮的藍(lán)地毯。這些物品揭示了這張“床”的主人混亂不堪的夜生活。這張“床”一經(jīng)出現(xiàn)就引發(fā)了英國民眾的觀念大戰(zhàn),除了媒體的大加報(bào)道之外,一位居住在英國威爾士的家庭主婦知道“居然有這樣一件作品存在”之后,立即從家里出發(fā),千里迢迢的來到倫敦,到了Tate博物館之后,她二話不說,從行囊里拿出洗潔精和抹布就要對這張床進(jìn)行打掃,好在美術(shù)館的保安行動即時(shí),這件作品才免遭清掃,但她帶來的洗潔精還是滴了一滴到那張床上。在被保安帶走的途中,她高聲說,“打掃衛(wèi)生是我的責(zé)任,翠西是壞女孩的榜樣”。事后證明,她的這一行為和那一滴洗潔精絕妙的成為了這件作品的一部分,這張“床”在當(dāng)年獲得了英國特納獎的提名,這件作品也成了翠西最具代表性的作品。

  對于人們對自己的作品產(chǎn)生的強(qiáng)烈反應(yīng),翠西說:“我奇怪那些人的道德感和完整性來自那里,我的作品沒有任何值得讓人震驚的。我并沒有要讓人震驚的意思,我只是想和人們達(dá)到對話的目的。”

  確實(shí)是這樣,翠西的作品并不是為了制造“噱頭”,也不是赤裸呈現(xiàn)那么簡單。事實(shí)上,她總是能巧妙而直接地將作品的主題與形式充分地融為一體。雖然她的創(chuàng)作常常被認(rèn)為是大膽和挑釁的,但她的作品更應(yīng)該被注意到的是她作為一個(gè)女性所體現(xiàn)出來的細(xì)膩,敏感和易受傷害的特質(zhì)。她通過自己普通或者不普通的生活經(jīng)歷,通過打破禁忌展示出來的不妥協(xié)的誠實(shí),使觀眾突然進(jìn)入了一個(gè)直面生活真相的情境。通過這種表達(dá)方式,她個(gè)人的經(jīng)驗(yàn)和感受不再局限在個(gè)人表達(dá)的范疇,而成了真正意義上被表達(dá)的人類情感,這使她的藝術(shù)創(chuàng)作有了更廣泛的語意,進(jìn)入了一個(gè)更有意味的層面。

  最近幾年,翠西開始嘗試在她的作品里注入更多的母性情懷,就像她最近在接受采訪時(shí)對自己狀況的描述,她說,活到45歲這個(gè)年紀(jì),覺得“比以前輕松多了”。也許在這樣一個(gè)放松的狀態(tài)下,翠西有了更柔和的心情去感受自己的母親和想象自己成為母親的情景。比如她最近創(chuàng)作的作品“感受懷孕”系列和“與我媽媽的對話”,都著力表現(xiàn)了對母親這一女性角色的探詢,表達(dá)了擁有孩子,成為母親的渴望。從她的這些作品里我們可以看到她極度渴望愛,同時(shí)又能施與愛的女性靈魂。

  經(jīng)過這么多年的創(chuàng)作,翠西的藝術(shù)才華和她作品的意義已經(jīng)受到了充分的肯定,即便是以往或現(xiàn)在人們對她作品和個(gè)人的爭議都沒能影響這一點(diǎn)。2007年,翠西代表英國參加了威尼斯雙年展。2008年的8月2日至11月9日,蘇格蘭國家現(xiàn)代藝術(shù)館舉辦了“翠西-艾敏20年回顧展”,這是她藝術(shù)生涯中的首次大型個(gè)人回顧展,借著這個(gè)展覽,人們得以全面的了解這位英國當(dāng)代最具知名度和爭議性的女性藝術(shù)家的日記性創(chuàng)作和她的過往。

  翠西曾經(jīng)說過,作為一個(gè)藝術(shù)家不僅是制作出看起來美好的東西,或者獲得人們的夸獎,它是某種形式的交流,是她向外傳達(dá)出的一種信息。在她的回憶錄中,她這樣描述自己,“這就是我,無恥,瘋狂,厭食癥患者,酒鬼,美麗的女人。”而作為她作品的閱讀者,我們體會到的翠西不僅是一個(gè)美麗的女人,還是一個(gè)擁有浪漫而深刻世界觀的藝術(shù)家。

 作者:懷心

年鑒


Tracey Emin Biography 1963 Born in London 1986 Maidstone College of Art (Bachelor of Fine Art) 1989 Royal College of Art (MA) Lives and works in London Awards Honorary Doctorate Royal College of Art, 2007 Doctor of Letters, University of Kent, 2007 Doctor of Philosophy, London Metropolitan University, 2007 The Jury Prize Cairo Biennale Award, Cairo, 2001 International Award for Video Art, 1997 Selected Exhibitions 2008 Summer Exhibition 2008, Royal Academy of Arts, London 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube Hoxton Square and Shoreditch Town Hall, London. 2008 Fourth Plinth, National Gallery, London 2008 Love, Touring show: National Gallery, London, Tyne & Wear Museums and Bristol’s Museums, Galleries & Archives 2008 Tracey Emin: 20 Years, Scottish National Gallery of Modern Art, Edinburgh (solo) 2007 Tracey Emin: Borrowed Light, British Pavillion, Venice Biennale (solo) 2007 True Romance, Kunsthalle Wien, Vienna 2007 Summer Exhibition 2007, Royal Academy of Arts, London 2007 The Naked Portrait, Scottish National Gallery, Edinburgh 2007 Lights, Camera Action: Artists' Films for the Cinema, Whitney Museum of American Art, Whitney 2007 Mima Collection: Selected Works, Middlesbrough Institute of Modern Art, Middlesbrough 2006 More Flow, Galleria Lorcan O’Neill, Rome (solo) 2006 The Other Side #2 – Radical Pursuits: Delights in the subversive and sublime, Tony Shalfrazi Gallery, New York 2006 Aftershock: Contemporary British Art 1990-2006, Guangdong Museum of Art, Guangzhou; Capital Museum, Beijing 2006 Touch My Shadows, Centre for Contemporary Art Ujazdowski Castle, Warsaw 2006 In the darkest hour there may be light: Works from Damien Hirst’s murder me collection, Serpentine Gallery, London 2006 I’m Sorry, Pilar Parra & Romero Galeria de Arte, Madrid 2006 Hot/Cold – Summer Loving, Zacheta National Gallery of Art, Warsaw 2006 Motion on Paper, Ben Brown Fine Arts, London 2006 Summer Exhibition 2006, Royal Academy, London 2006 Youth of Today, Schirn Kunsthalle, Frankfurt 2006 The Devil of the Fireplace, Claudia Gian-Ferrari, La Triennale di Milano 2006 Drawing Inspiration, Abbot Hall Art Gallery, Kendal 2006 For All Audiences, Sala Rekalde, Bilbao 2006 You’ll Never Know. Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn Vivian Gallery, Swansea; The Lowry, Salford; New Art Gallery, Walsall; Tullie Mouse Museum and Art Gallery, Carlisle 2006 LOVE!, Ferragamo Gallery, New York 2005 I Can Feel Your Smile, Lehmann Maupin, New York (solo) 2005 When I Think About Sex…, White Cube, London (solo) 2005 IMAGINE A WORLD…, Bargehouse, London 2005 Revelation. Reflecting British Art in the Arts Council Collection, Laing Art Gallery, Newcastle and The Lowry, Manchester 2005 Death Mask by Tracey Emin, National Portrait Gallery, London 2005 Sketch in Motion: A Group Exhibition of Artists’ Animation, Sketch, London 2005 Looking at Words. The Formal Presence of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York 2005 The Wonderful Fund On Tour, Le Musée de Marrakech, Marrakech 2005 God Is Bored Of Us II, FMCG, London 2005 Super!: First Triennial for Contemporary Art, Fashion and Design, Z33, Hasselt 2005 Video II: Allegory, NRW-Furum Kultur und Wirtschaft, Dusseldorf 2005 Realit;)t. 30 Videoarbeiten aus der Sammlung Goetz in München. Von Olaf Breuning bis Sam Taylor-Wood, Seedamm Kulturzentrum, Pfaffikon 2005 Enchante Ch?teau, MAMCO, Geneva 2005 Munch Revisited, Henie Onstad Kunstcenter, Oslo 2005 On Love, Museum Het Domein, Sittard 2005 'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam 2005 Summer Exhibition 2005, Royal Academy of Arts, London 2005 London Calling. Y[oung] B[ritish] A[rtists] Criss-Crossed, Galleri Kaare Berntsen, Oslo 2005 Body: New Art from the UK, Vancouver Art Gallery, Vancouver 2005 Kiss the Frog! The Art of Transformation, National Museum of Art, Oslo 2005 Identity and Nomadism, Palazzo delle Papesse, Siena 2005 25. Twenty-five Years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin 2005 Vivisección, Dibujo Contemporáneo, Museo de Arte Carrillo Gil, Mexico City 2005 Mé-tissages, MIAT, Museum voor Industri?le Archeologie en Textiel, Ghent 2005 Women’s Film Festival, ICA, London 2005 Top Spot, Berlin Film Festival, Berlin 2005 Critic’s Choice, FACT, Liverpool 2004 The Christmas Exhibition 2004, Edinburgh Printmakers, Edinburgh 2004 Fonetography, AOP Gallery, London 2004 1st International Biennial of Contemporary Art of Sevilla, Monastry of the Cartuja of Sanat Maria de las Cuevas, Seville 2004 Printers Inc.: Recent British Prints, Manchester Art Gallery, Manchester; Brewhouse Theatre; Arts Centre, Taunton and Park Gallery, Falkirk 2004 Seven Sins, Museo d’Arte Moderna e Contemporanea, Bolzano 2004 Einleuchten, Museum der Moderne, Salzburg 2004 Summer Exhibition, Royal Academy of Arts, London 2004 The Other Flower Show, Victoria & Albert Museum, London 2004 Stranger Than Fiction, Leeds Art Gallery, Leeds; Tulie House, Carlisle; Ferens Art Gallery, Hull; Nottingham Castle, Nottingham; Brighton Museum and Art Gallery, Brighton 2004 La Collection d’Art Contemporain d’Agnes B, Les Abattoirs, Toulouse 2004 Tracey Istanbulda, Platform Garanti Contemporary Art Center, Istanbul (solo) 2004 Tracey Emin, BP British Art Displays, Tate Britain, London (solo) 2004 I’ll Meet You In Heaven, Galleria Lorcan O’Neill, Rome (solo) 2004 Can’t See Past My Own Eyes, Sketch, London (solo) 2004 Fear, War And The Scream, Roslyn Oxley, Sydney and City Gallery, Wellington (solo) 2004 Tracey Emin and David Hockney Drawings, Museo de Bellas Artes, Santiago 2004 Tracey Emin, Gillian Wearing and Dick Matena, Frans Hals Museum, Haarlem 2004 See It…Read It, Draíocht, Dublin 2004 Secrets of the ‘90s, Museum voor Moderne Kunst Arnhem, Arnhem 2004 Social Strategies. Redefining Social Realism, Schick Art Gallery, Skidmore College, New York 2003 Menphis, Counter Gallery, London (solo) 2003 Tracey Emin, Art Gallery of New South Wales, Sydney (solo) 2003 Social Strategies. Redefining Social Realism, The Richard E. Peeler Art Center, DePauw University, Greencastle (Indiana); University Art Museum, University of California, Santa Barbara; University Galleries, Illinois State University,Normal (Illinois); Schick Art Gallery, Skidmore College, New York, The Newcomb Art Gallery, Tulane University, New Orleans and University Art Museum, Santa Barbara 2003 Tracey Emin, Luigi Ontani, Kiki Smith, Cerith Wyn Evans,Galleria Lorcan O’Neill, Rome 2003 Flexible 4: Identities, Whitworth Art Gallery, Manchester; Nederlands Textielmuseum, Tilburg, Kunsthalle Brandts Klaedefabrik, Odense and Landesgalerie Linz am Ober?sterreichischen Landesmusem, Linz 2003 Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo 2003 Fast Forward – Media Art, ZKM, Karlsruhe 2003 FRESH: Contemporary British Artists in Print, Edinburgh Printmakers, Edinburgh 2003 Just Love Me; Post-Feministic Art of the 1990s, Bergen Art Museum, Bergen 2003 A Bigger Splash: British Art from Tate 1960–2003, OCA & ITO, S?o Paulo 2003 Game Over, Grimm Rosenfeld, Munich 2003 Independence, South London Gallery, London 2003 The Happy Couple, Cartwright Hall Art Gallery, Bradford 2003 Il racconto del filo, Museo di Arte Moderna, Trento 2003 Europe Exists, Macedonian Museum of Contemporary Art, Thessaloniki 2003 Let’s See the Nature in You, Pepperton Gallery, London 2003 Tactics of the Ego, Stiftung Wilhelm Lehmbruck Museum, Duisburg 2003 Micro/Macro, The Budapest Kunsthalle, Budapest 2003 Words from the Arts Council Collection, The Harris Museum and Art Gallery, Preston 2003 The Map Is Not The Territory III, James Hockey Gallery, Farnham and The Surrey Institute of Art & Design, Franham 2003 En Route, De Hallen, Haarlem 2002 This is Another Place, Modern Art Oxford, Oxford (solo) 2002 Ten Years. Tracey Emin, Stedelijk Museum, Amsterdam (solo) 2002 I Think it’s in my head, Lehmann Maupin, New York (solo) 2002 Tracey Emin Showreel, The Genesis Cinema, London (solo) 2002 Tracey Emin, Haus der Kunst, Munich (solo) 2002 Face Off, Kettle’s Yard, Cambridge 2002 Rapture: Art’s Seduction by Fashion Since 1970, Barbican Art Gallery, London 2002 The Ink Jetty, Neon Gallery, London 2002 Shine, St Pancras Chambers, London 2002 The Glory of God: New Religious Art, St. Peter’s Church, Liverpool 2002 Disturb, 1st Public School of Hydra, Hydra 2002 Die Wohltat der Kunst: PostFeministische Positionen der neunziger Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden 2002 Fusion Cuisine, Deste Foundation, Centre for Contemporary Art, Athens 2002 Public Affairs. Von Beuys bis Zittel: Das Offentliche in der Kunst, Kunsthaus, Zurich 2002 New Religious Art 1992–2002, Henry Peacock Gallery, London 2002 Landscape, Saatchi Gallery, London 2002 The Rowan Collection. Contemporary British & Irish Art, Irish Museum of Modern Art, Dublin 2001 Tracey Emin You forgot to kiss my soul, White Cube, London (solo) 2001 Trans Sexual Express, Centro de Arte de Santa Monica, Barcelona; Palacio Municipal de Exposiciones, Corunna and Mucsarnok, Budapest 2001 For the Love of Dog, Pump House Gallery, London 2001 Printers Inc., The Gallery, Stratford-upon-Avon 2001 Read-Only Memory, Mead Gallery, Warwick Arts Centre, University of Warwick, Coventry 2001 Televisions, Kunsthalle Wien, Vienna 2001 Video Project Space, Anthony Wilkinson Gallery, London 2001 In Formation, Percy Miller Gallery, London 2001 For the love of dog, Pump House Gallery, London 2001 At Sea, Tate Liverpool, Liverpool 2001 Tattoo Show, Modern Art Inc., London 2001 Summer Exhibition, Royal Academy of Arts, London 2001 Freestyle. Werke Aus der Sammlung Boros, Museum Morsbroich, Leverkusen 2001 Century City, Tate Modern, London 2001 Insider Trading: Profit Without Honour, Mandeville Hotel, London 2001 London Nomad, Beit Zeinab Khatoun, a seminar on Contemporary Curatorial Practice at the American University Cairo Biennale, Cairo 2001 Peter Blake: About Collage, Tate Gallery, London 2001 Nurture and Desire, Hayward Gallery, London 2001 Sex and the British: Slap & Tickle – A perspective on the sexual content of British Art since the 1960s, Gallerie Thaddaeus Ropac, Salzburg and Gallerie Thaddaeus Ropac, Paris 2001 Gut Aufgelegt, Kunsthaus, Hamburg 2001 Drawings, Sommer Contemporary Art, Tel Aviv 2001 Drawings, Taché-Lévy Gallery, Brussels 2001 Potent Present. Selections from the Vicki and Kent Logan Collection, Logan Galleries, California College of Arts and Crafts, San Francisco 2001 ManMoMa. A Thick Bloke Kicking a Dog to Death, The International 3 Summer Fête, Fairfield, Manchester 2001 From Face to Face. Mimics – Gestures – Emotions, St?dtisches Museum Leverkusen Schlo? Morsbroich, Leverkusen 2001 Out There, White Cube, London 2001 Art in Sacred Spaces, St. Mary’s Church 2001 The British Art Show 5, The Scottish National gallery of Modern Art, Edinburgh (National Touring Exhibitions) 2001 Diary, Cornerhouse, Manchester 2000 Love is a Strange Thing, Fig.1, London (solo) 2000 What Do You Know About Love, Galerie Gebauer, Berlin (solo) 1999 Tracey Emin Every Part of Me’s Bleeding, Lehmann Maupin, New York (solo) 1998 Sobasex (My Cunt is Wet with Fear), Sagacho Exhibition Space, Tokyo (solo) 1998 Cunt Vernacular, Galerie Gebauer, Berlin (solo) 1998 I Need Art Like I Need God, Gesellschaft für Aktuelle Kunst, Bremen (solo) 1998 Tracey Emin, Galerie Philippe Rizzo, Paris (solo) 1997 Solo Exhibition, Moo Gallery, Helsinki (solo) 1997 I Need Art Like I Need God, South London Gallery, London (solo) 1997 Istanbul Biennial, Pera Palace Hotel, Turkey (solo) 1996 It’s not me that’s crying, it’s my soul, Galerie Mot & Van den Boogaard, Brussels (solo) 1996 Exorcism of the Last Painting I Ever Made, Galleri Andreas Br?ndstr?m, Stockholm (solo) 1996 Solo Exhibition, Habitat, London (solo) 1995 Tracey Emin Museum, 221 Waterloo Road, London SE1 (closed 1998) (solo) 1994 Art Cologne, Sponsored Artist, Jay Jopling/White Cube, Cologne (solo) 1994 Exploration of the Soul – Journey Across America, Readings at the following locations: Rena Bransten, San Francisco; Regen Projects, Los Angeles; Museum of Contemporary Art, San Diego; David Klein Gallery, Detroit; Mattress Factory, Pittsburgh; Sandra Gering Gallery, New York and White Columns, New York (solo) 1993 My Major Retrospective, Jay Jopling/White Cube, London (solo) 1993 From Army to Armani, Analix Gallery, Geneva (with Sarah Lucas) 1993 The Shop, 103 Bethnal Green Road, London (with Sarah Lucas)