前言

我們的聚散離合，不僅是空間距離上的意義，也是內(nèi)心的敏感與悲歡。人類自編自導(dǎo)自嗨的跳舞，正好形式化提示和演繹了這種狀態(tài)。2020年疫情肆虐全球同難之時(shí)，更突顯了人與人對(duì)于這種關(guān)系的內(nèi)在欲求與現(xiàn)實(shí)生存之間的沖突。 馮斌借用水墨寫意性的表達(dá)方式所畫的跳舞系列作品，是對(duì)于人與人這種聚與離的關(guān)系的由外而內(nèi)、直指內(nèi)心的提問和言說(shuō)。 Human-beings meet and depart, unite and separate from time to time. The distance is not only in the sense of physical space, but also about the affection and sorrow deep in the heart. The dance we dance, the dancing pool we throw ourselves into are just the right forms of reminder to illustrate this indulgence. In 2020 when the pandemic has been prevailing and the world was suffering from it, the collision between man’s inner calling for uniting and the actual living reality of separating has been so much highlighted. The Dance series Feng Bin works on by borrowing calligraphic brush strokes and impregnate effects in Chinese ink art is a direct questioning and narrating of the dilemma of uniting and separating.   藝術(shù)家簡(jiǎn)介 馮斌 1962年出生于四川成都 1981年畢業(yè)于四川美術(shù)學(xué)院附中 1985年畢業(yè)于四川美術(shù)學(xué)院繪畫系中國(guó)畫專業(yè) 現(xiàn)生活工作于重慶 Feng Bin 1962 born in Chengdu, Sichuan, China 1985 BFA Sichuan Fine Arts Institute 1981 graduated from the Affiliated School of Sichuan Fine Arts Institute at present, living and working in Chongqing, China