2009世界設(shè)計(jì)大會10月24日即將開幕，大會之下的25個設(shè)計(jì)展即將同時拉開帷幕，其中11個展覽在中央美院舉行，11個展覽中有7個設(shè)計(jì)展在中央美院美術(shù)館展出。
2009年世界設(shè)計(jì)大會主題:「Xin-信」
漢語以「人言」 為「信」，代表「溝通」，也寓意「真誠」，是一種古老的信息傳達(dá)方式。以「XIN -信」為主題，象征「信息」 的溝通與「信念」 的傳遞，以謀求透明與互信的對話及跨界的全球合作。為創(chuàng)造公正、和諧的今日世界，2009北京世界設(shè)計(jì)大會將探討傳達(dá)設(shè)計(jì)所面臨的問題和挑戰(zhàn)。
聯(lián)合國大會于1972年形成決議，確定10月24日聯(lián)合國日同時也是國際信息日。10月24日也被定為2009北京世界設(shè)計(jì)大會的首日。信息與設(shè)計(jì)，同樣為合作發(fā)展而動員公眾、為謀求和諧而傳播價值。
以「XIN-信」為主題，大會將圍繞「ACCESS-獲益」;「BALANCE-和諧」;「COMMUNICATE-交流」;「DEFINE-定義」這四個專題展開全球?qū)υ?，?0月27日與28日兩天舉行嘉賓演講論壇。
中央美院美術(shù)館7個設(shè)計(jì)展詳細(xì)信息請登陸 http://www.cafamuseum.org/ch/
2009年世界設(shè)計(jì)大會展覽詳細(xì)信息請登陸 http://www.beijing2009.org/cn/exhibitions.htm
媒體聯(lián)絡(luò)人
Dong Huiping-
董慧萍
Public Relations Department
CAFA Art Museum
公關(guān)部
中央美術(shù)學(xué)院美術(shù)館
Tel. +86-10-64771619 13501283673
Fax. +86-10-64771699
Email. dongzi8968@vip.sina.com
donghuiping@cafa.edu.cn
www.cafamuseum.com
“方正獎”中文字體設(shè)計(jì)大賽獲獎作品展
展覽時間：2009年10月24日至11月15日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館1F
主辦單位：方正集團(tuán)、中央美術(shù)學(xué)院
漢字文化源遠(yuǎn)流長，博大精深，它孕育了中國的古老文明，也促進(jìn)著中華民族的文化發(fā)展?？瑫w在整個漢字發(fā)展史中有著重要的位置和意義，它不僅凸顯了中華民族的人文氣質(zhì)，也彰顯了中華民族對美的理解和表現(xiàn)。作為漢字傳統(tǒng)文化繼承者、傳播者、推動者，無論是漢字字體設(shè)計(jì)工作者還是漢字字體提供廠商，了解漢字傳統(tǒng)文化的發(fā)展歷程，研究漢字傳統(tǒng)文化的光輝歷史，更好的引領(lǐng)古老的文化，進(jìn)入數(shù)字化時代，推動漢字字體設(shè)計(jì)的發(fā)展進(jìn)程，是我們義不容辭的責(zé)任和義務(wù)。也就是，第五屆“方正獎”中文字體設(shè)計(jì)大賽以中國楷為主題展開的目的了。
Exhibition of Outstanding Design Works from FounderType Chinese Type Design Competition
Date: 2009.10.24-11.15
Opening: 2009.10.27 06:00 pm
Location: Gallery 1F, CAFA Art Museum
Organized by: FounderType、CAFA
The culture of Chinese characters has long historical roots and profound meanings; it fosters China’s ancient civilization and advances the cultural evolvement of it. Kaishu (a formal script of Chinese characters), in the entire history of Chinese characters, enjoys an irreplaceable status and holds significant meanings: it embodies the Chinese humanistic spirits and demonstrates an understanding and representation of beauty.
文字•北京2009展
展覽時間：2009年10月24日至11月15日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館2A
主辦單位：中央美術(shù)學(xué)院
展覽主題：文字設(shè)計(jì)，與新生之和
中國有稱“字如其人”，書畫界也倡導(dǎo)“筆墨當(dāng)隨時代”。與漢字的獨(dú)創(chuàng)原理相結(jié)合，自古以來中國的“書寫”已被賦予并成為中國廣義精神文化的基本形態(tài)之一。從上古的篇章“書法”到宋元以來典籍版本的“活字印刷”到現(xiàn)代的“工業(yè)生產(chǎn)”到當(dāng)代的知識“數(shù)字化傳播”，漢字的應(yīng)用面貌就歷史階段來說已經(jīng)在技術(shù)和面貌上經(jīng)歷著巨大的跨越和改變，同樣在世界范圍內(nèi)“文字應(yīng)用”所呈現(xiàn)的面貌與方法也異彩紛呈。1928年德國著名設(shè)計(jì)家Jan Tschichold在其出版的《新文字設(shè)計(jì)》(New typography)里主張：(文字設(shè)計(jì))與生活的統(tǒng)一：“??部分屬于并諧和于整體——對單一部分與整體的任意的孤立對我們來說是再不可接受的了。 ??文字設(shè)計(jì)也必須使其自身成為當(dāng)下創(chuàng)意世界的一部分??。”
結(jié)合20世紀(jì)20年代歐洲大工業(yè)革命以及現(xiàn)代主義運(yùn)動發(fā)展以來在生產(chǎn)、藝術(shù)等生活中所發(fā)生的重要革新，JanTschichold提出了“新文字”的現(xiàn)代設(shè)計(jì)原則以及文字與生活、文字與其他創(chuàng)意領(lǐng)域的因果互動關(guān)系，其論著在世界設(shè)計(jì)領(lǐng)域內(nèi)都產(chǎn)生了重大的影響。
近一個世紀(jì)過去了，此刻我們卻同樣感受到了21世紀(jì)信息化、數(shù)字化生活中新舊的交融。文字作為傳統(tǒng)的信息交流方法，跨越了書籍、海報(bào)等傳統(tǒng)媒介，急速地?cái)U(kuò)展到公共設(shè)計(jì)以及互動、影像等新媒介之中，無論是作為文本、符號還是圖像。之前對漢字的傳統(tǒng)書寫之研討已經(jīng)居多，在工業(yè)和數(shù)字時代對漢字閱讀文化和視覺文化的面貌產(chǎn)生如何的影響?生活的改變?nèi)绾闻c漢字應(yīng)用和設(shè)計(jì)產(chǎn)生的互動?作為世界上最古老、擁有世界最大人群使用的文字系統(tǒng)之一，我們希望，在與世界其他語言文化的藝術(shù)設(shè)計(jì)交流之中，漢字被激發(fā)出其視覺文化與表現(xiàn)的當(dāng)代性，這也許是提升中國視覺文化質(zhì)量的關(guān)鍵點(diǎn)之一。
在設(shè)計(jì)作品及文本的展示之中，希望觀者從宏觀的設(shè)計(jì)時代行進(jìn)以及微觀的個人生活態(tài)度縱橫兩個緯度上去觀察文字字體：設(shè)計(jì)師如何在設(shè)計(jì)潮流的行進(jìn)中去尋求本人的角色感?設(shè)計(jì)師如何建立起了個人設(shè)計(jì)行為與生活秉性的某種鏈接?作品又是如何成為這種交叉或鏈接關(guān)系的綜合反應(yīng)和輸出?作為設(shè)計(jì)師，作為旁觀者，在人人來討論設(shè)計(jì)的國際化、設(shè)計(jì)潮流的喧囂中，我們很有興趣去做相對內(nèi)在或本質(zhì)的探討：在當(dāng)下，在信息傳遞和交流的過程中文字所具有的“保守文化與試驗(yàn)先鋒”的雙重性格。
bt’09展覽將于2009年10月27日在中央美術(shù)學(xué)院美術(shù)館開幕。邀請的中外設(shè)計(jì)師涵蓋了新媒體、電影、互動、平面、編輯、試驗(yàn)設(shè)計(jì)等多項(xiàng)領(lǐng)域。
Beijing Typography 2009 (bt’09)
Date: 2009.10.24-11.15
Opening: 2009.10.27 06:00 pm
Location: Gallery 2A, CAFA Art Museum
Organized by: CAFA
Theme: Typography, Unity with New Life
In 1928, in his book entitled The New Typography, Jan Tschichold wrote "Unity of life: the arbitrary isolation of a part is no longer possible for us-every part belongs to and harmonizes with the whole. Where slackness is still the rule, we must make it our work to fight against laziness, envy, and narrow-mindedness. Typography too must now make itself part of all the other fields of creativity."
Almost a century has passed, yet we are still able to sense a similar freshness and eclecticism in our current digitalized age. Typography as a tool for information communication not only engages traditional mediums (such as books and posters), but is also permeating into new mediums such as space, interactive media and motion graphics. Contemporary typography demonstrates new possibilities, both in terms of words and images, and form and concept. Designers are adhering to the traditional, whilst looking forward to the unexpected. As a result, various understandings of and discussions on typography have started to emerge.
Chinese characters, for example, symbolize both word and image, indicating sound and meaning. In its five thousand-year history as a language system that incorporates pictograms, ideograms and phonograms, the Chinese language has evolved into a highly sophisticated writing culture, illustrated by the creation of the first form of (wood-based) printing. Furthermore, the idea of calligraphy as a "sophisticated art" has influenced many countries worldwide. Over the last 30 years, however, a new set of technological difficulties have been confronted and overcome, including the migration from traditional writing and mechanical systems to a digitalized one.
Blessed with their rich typographic history, designers are simultaneously confronted with many problems. For instance, what does typography mean in the face of the technological and socio-cultural transformations of today? Can anyone become a designer when equipped with computer technologies and digitized type? In what ways has new life affected typography and designers?
To showcase the research and international efforts of the past couple of years, as well as the re-thinking of the complex nature of typographic art, we cordially invite you to participate in bt’09, an exhibition founded on the theme of "Typography, Unity with New Life."
This will be the most influential and largest graphics exhibition to take place in China to date. We hope that, through this visual design exchange between different cultures and languages, the Chinese language will be able to inspire a contemporary visual expressiveness informed by a cultural richness.
二十世紀(jì)中國平面設(shè)計(jì)文獻(xiàn)展
展覽時間：2009年10月24日至11月15日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館2B
主辦單位：中央美術(shù)學(xué)院
展覽源起：為配合2009世界設(shè)計(jì)大會，向世界設(shè)計(jì)界展示中國20世紀(jì)平面設(shè)計(jì)發(fā)展歷程，解釋中國現(xiàn)代設(shè)計(jì)發(fā)展之文化邏輯，作為大會子項(xiàng)目，擬于大會期間在中央美術(shù)學(xué)院美術(shù)館舉辦“20世紀(jì)中國平面設(shè)計(jì)文獻(xiàn)展”展。
主題闡釋：本展覽將以中國20世紀(jì)招貼、雜志、報(bào)刊等平面設(shè)計(jì)實(shí)物為主軸，結(jié)合與平面設(shè)計(jì)相關(guān)的生活實(shí)物、個人資料、相關(guān)文獻(xiàn)，形成對20世紀(jì)中國設(shè)計(jì)發(fā)展及社會生活形態(tài)較為完整的展示與解讀;展出形式將包括實(shí)物展示、圖片展示及視頻展示;展品將以學(xué)術(shù)機(jī)構(gòu)收藏、個人收藏及作者捐助為主;作為整個展覽方案之有機(jī)組成部分，展覽期間將結(jié)合本主題籌辦邀請國內(nèi)重要作者、研究學(xué)者、海外研究學(xué)者共同參加的專題學(xué)術(shù)研討、出版學(xué)術(shù)研究文集及圖錄。
本展覽將包括20世紀(jì)前期、中期、后期三個時間階段;其中尤以“20世紀(jì)中期”，即1949—1979年中華人民共和國建國30年期間的“宣傳畫”為核心內(nèi)容。“宣傳畫”在新中國建國之后相當(dāng)長的時間內(nèi)為最主要的平面設(shè)計(jì)傳播媒介，同時也在新中國的美術(shù)創(chuàng)作和政治生活中地位獨(dú)特，影響重大。作為當(dāng)時最為常見、對于設(shè)計(jì)者而言也代表著最重要藝術(shù)成就的“宣傳畫”創(chuàng)作與發(fā)行，在相當(dāng)長的時間內(nèi)集聚著中國美術(shù)界、設(shè)計(jì)界的精華力量，這批作者以開拓者的勇氣與社會主人公的精神積極參與新中國建設(shè)、投身新藝術(shù)形式的創(chuàng)造，在當(dāng)時的社會政治條件及藝術(shù)氛圍下，為形成具有中國氣派、時代風(fēng)格的美術(shù)作品與設(shè)計(jì)樣式作出了成果顯著的努力，它既是中國藝術(shù)家與設(shè)計(jì)師在中國社會背景及文脈之下集體創(chuàng)造的成果，同時也是20世紀(jì)世界多種平面設(shè)計(jì)風(fēng)格與語言與中國設(shè)計(jì)語言對話的結(jié)果。這段歷史值得關(guān)注，也值得置于世界現(xiàn)代設(shè)計(jì)20世紀(jì)發(fā)展框架下予以研究。在慶祝新中國建國60周年全面總結(jié)和認(rèn)識改革開放30年來的設(shè)計(jì)成就的同時，不應(yīng)忽略對此前30年的中國平面設(shè)計(jì)發(fā)展的歷史脈絡(luò)梳理和研究。而“宣傳畫”恰恰是一個非常好的切入點(diǎn)，我們希望通過這個展覽，相對全面地展示20世紀(jì)中國平面設(shè)計(jì)發(fā)展的身身邏輯，研究中國社會變革與設(shè)計(jì)發(fā)展的互動關(guān)系;同時希望通過本次中外設(shè)計(jì)界和學(xué)術(shù)界的交流，能夠在一個新的視點(diǎn)上，重新審視“20世紀(jì)中國平面設(shè)計(jì)”的歷史地位、意義與價值。
Chinese Graphic Design in the 20th Century: A Documentary
Date: 2009.10.24-11.15
Opening: 2009.10.27 06:00 pm
Location: Gallery 2B, CAFA Art Museum
Organized by: CAFA
Chinese Graphic Design in the 20th Century showcases design objects such as Chinese posters, magazines and newspapers from the 20th century, and other graphic design-related objects, individual profiles and relevant documents. The exhibition forms a comprehensive presentation and interpretation of design development and the social life of China in the 20th century. The exhibition consists of three sections: National •Life, People, Hero, Citizen • Era.
中央美術(shù)學(xué)院優(yōu)秀設(shè)計(jì)畢業(yè)作品展
展覽時間：2009年10月24日至11月15日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館3F
主辦單位：中央美術(shù)學(xué)院
由中央美術(shù)學(xué)院主辦的“中央美術(shù)學(xué)院畢業(yè)生優(yōu)秀作品展”將于2009年10月24日在中央美術(shù)學(xué)院美術(shù)館舉行。此次展覽以ICOGRADA世界設(shè)計(jì)大會為契機(jī)，向海內(nèi)外知名設(shè)計(jì)師們集中展現(xiàn)中央美術(shù)學(xué)院近幾年來豐碩的教學(xué)成果，以及中央美術(shù)學(xué)院學(xué)生技藝扎實(shí)、大膽創(chuàng)新的藝術(shù)實(shí)踐碩果。展覽聚集了近幾年央美畢業(yè)生的優(yōu)秀作品，精選了百余件歷年畢業(yè)展中深受好評的畢業(yè)作品，此次展覽是中央美術(shù)學(xué)院對學(xué)生作品的總結(jié)與回顧，也是為了向社會各界展現(xiàn)美院學(xué)生的創(chuàng)作實(shí)力，并讓海內(nèi)外專業(yè)人士進(jìn)一步了解、認(rèn)識中央美術(shù)學(xué)院的契機(jī)和平臺。
Exhibition of Outstanding Graduation Design Works from CAFA
Date: 2009.10.24-11.15
Opening: 2009.10.27 06:00 pm
Location: Gallery 3F, CAFA Art Museum
Organized by: CAFA
“Exhibition of Outstanding Graduation Design Works from CAFA”, which is sponsored by Central Academy of Fine Arts (CAFA), will be held at Central Academy of Fine Arts (CAFA) Art Museum on October 24, 2009. The exhibition, taking ICOGARDA World Design Congress as an opportunity, concentrates great teaching achievement in recent years of CAFA to domestic and foreign well-known designers, as well as students’ solid skills and innovative artistic practice fruits. The exhibition gathered outstanding graduation works in last few years of CAFA and selected more than a hundred pieces of works over years which are highly praised. Therefore, the exhibition is the summary and retrospection of students’ work of CAFA, as well as a platform by which the creation ability of students is shown to public and an opportunity to make CAFA further known to domestic and foreign professional experts.
AIGA 365：年度最佳作品29
展覽時間：2009年10月24日至11月15日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館4F
主辦單位：AIGA
協(xié)辦單位：中央美術(shù)學(xué)院
365設(shè)計(jì)大賽是AIGA(美國平面設(shè)計(jì)師協(xié)會)舉辦的年度大賽，今年是第三十屆。大賽分為品牌設(shè)計(jì)、娛樂設(shè)計(jì)、實(shí)驗(yàn)設(shè)計(jì)、信息設(shè)計(jì)、包裝設(shè)計(jì)、推廣設(shè)計(jì)等門類。今年是AIGA365設(shè)計(jì)大賽獲獎作品首次在中國展出。
優(yōu)秀的設(shè)計(jì)源于創(chuàng)造、靈感、技能、體驗(yàn)，直覺與訓(xùn)練。由AIGA舉辦的這組比賽則是公認(rèn)的對當(dāng)今杰出設(shè)計(jì)最具洞悉力的闡釋，它延續(xù)了90多年前的傳奇。通過這個比賽，AIGA創(chuàng)造了一部紀(jì)錄優(yōu)秀設(shè)計(jì)解決方案的具有權(quán)威性的編年史，每一場競賽闡釋了設(shè)計(jì)的過程，設(shè)計(jì)師的職責(zé)與設(shè)計(jì)的價值。
作品選拔的標(biāo)準(zhǔn)包括審美判斷和就溝通有效性所做的評估。就其用意、內(nèi)容、標(biāo)題，受眾以及資源進(jìn)行考量。“AIGA年度設(shè)計(jì)展”的評委從超過4,700件設(shè)計(jì)中選出155件入圍的優(yōu)秀作品。而“50本書/50張封面”的評委則需要從收到的900件入選作品中挑出年度最佳作品。
AIGA致力于通過這個年度設(shè)計(jì)競賽的入選作品詳盡地闡述設(shè)計(jì)的步驟;設(shè)計(jì)師的責(zé)任;設(shè)計(jì)對商業(yè)，文化和社會的價值。這些作品展示在AIGA的虛擬畫廊中designarchives.aiga.org，面向全球的設(shè)計(jì)師。
AIGA 365: 年度設(shè)計(jì)展標(biāo)志著AIGA年度競賽獲獎作品在中國首次亮相。
關(guān)于AIGA
AIGA(美國專業(yè)設(shè)計(jì)協(xié)會)，設(shè)計(jì)界的重地：去探索它、討論它、理解它、欣賞它并為它所鼓舞。
AIGA的使命是將設(shè)計(jì)提升為一種專業(yè)的手藝、戰(zhàn)略性的工具與重要的文化力量。AIGA激勵人們通過期刊、會議、競賽與展覽對設(shè)計(jì)進(jìn)行思考;向商界、公眾與政府官員展示設(shè)計(jì)的價值;通過向設(shè)計(jì)師提供無價的教育與社會資源，助力于他們成功之路的每一個階段。
AIGA 成立于1914年，是歷史最悠久、規(guī)模最大的設(shè)計(jì)專業(yè)會員組織。AIGA 是非盈利的教育機(jī)構(gòu)。
www.aiga.org
關(guān)于AIGA中國
AIGA中國是 AIGA (美國專業(yè)設(shè)計(jì)協(xié)會) 與中央美術(shù)學(xué)院的合作項(xiàng)目，于2006年成立，旨在助力于中國建設(shè)世界級的設(shè)計(jì)教育。
在美國，AIGA開發(fā)了豐富的設(shè)計(jì)資源支持設(shè)計(jì)專業(yè)，現(xiàn)在正準(zhǔn)備與中國的學(xué)生與設(shè)計(jì)師分享這些信息。www.aigachina.org
AIGA 365: Year in Design 29
Date: 2009.10.24-11.15
Opening: 2009.10.27 06:00 pm
Location: Gallery 4F, CAFA Art Museum
Organized by: AIGA
Co-organized by: CAFA
Design excellence results from creativity, inspiration, skill, experience, intuition and discipline. And AIGA’s suite of competitions is widely recognized as the most discerning statement on design excellence today, extending a legacy that began more than 90 years ago. By means of the competitions, AIGA creates an authoritative chronicle of outstanding design solutions, each demonstrating the process of designing, the role of the designer and the value of design.
The selection criteria include both aesthetic judgments and an evaluation of communication effectiveness. Each piece is considered within the context of its purpose, content, objective, audience and resources. For the “AIGA Annual Design Competition”, the jury selected 155 outstanding entries from more than 4,700 entries received. For “AIGA 50 Books/50 Covers”, a jury selected the year’s best from more than 900 entries received.
AIGA is committed to using selections from its annual competitions to demonstrate the process of design; the role of the designer; and the value of design to business, culture and society at large. Selections are published in AIGA’s virtual gallery at designarchives.aiga.org, and available to designers worldwide.
The AIGA 365: Year in Design exhibition marks the first time AIGA’s annual competition selections will be shown in China.
About AIGA
AIGA, the professional association for design, is the premier place for design—to discover it, discuss it, understand it, appreciate it, be inspired by it.
AIGA’s mission is to advance designing as a professional craft, strategic tool and vital cultural force. AIGA stimulates thinking about design through journals, conferences, competitions and exhibitions; demonstrates the value of design to business, the public and government officials; and empowers the success of designers at each stage of their careers by providing invaluable educational and social resources.
Founded in 1914, AIGA remains the oldest and largest professional membership organization for design. AIGA is a nonprofit, educational institution.
www.aiga.org
About AIGA China
Established in 2006, AIGA China is a partnership between AIGA – the American professional association for design – and China’s Central Academy of Fine Arts (CAFA), to enhance the opportunity for world-class design education in China.
AIGA has developed extensive resources to support the design profession in the United States and is poised to make this information available to Chinese students and design educators.
www.aigachina.org
中國工作坊成就展
展覽時間：2009年10月27日至11月06日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館院內(nèi)展廳
主辦單位：中央美術(shù)學(xué)院
協(xié)辦單位：中央美術(shù)學(xué)院、中國美術(shù)學(xué)院、山東工藝美術(shù)學(xué)院、南京藝術(shù)學(xué)院、上海大學(xué)美術(shù)學(xué)院、東華大學(xué)——萊佛士國際設(shè)計(jì)專修學(xué)院、蘇州大學(xué)、武漢理工大學(xué)、武漢大學(xué)、華中科技大學(xué)、廣西師范大學(xué)、景德鎮(zhèn)陶瓷學(xué)院、深圳職業(yè)技術(shù)學(xué)院、湖南師范大學(xué)
中國設(shè)計(jì)工作坊項(xiàng)目是2009北京世界設(shè)計(jì)大會最為重要的內(nèi)容之一，將于10月19日至24日在超過10個中國城市的設(shè)計(jì)機(jī)構(gòu)和主力院校中舉行。所有工作坊活動后，將選擇優(yōu)秀的設(shè)計(jì)作品送到北京參加“工作坊成就展”。
從2009年4月，工作坊信息由Icograda網(wǎng)站向全球設(shè)計(jì)師公布，并開始接受報(bào)名，9月10日報(bào)名截止。來自世界各地的設(shè)計(jì)師，設(shè)計(jì)教育家和設(shè)計(jì)專業(yè)學(xué)生將與中國的師生、同行們展開一段探索和發(fā)展中國藝術(shù)、設(shè)計(jì)的獨(dú)特旅程。
2009年10月19日至10月24日為工作坊正式活動時間?？偣?5個工作坊，將在中央美術(shù)學(xué)院、中國美術(shù)學(xué)院、山東工藝美術(shù)學(xué)院、南京藝術(shù)學(xué)院、上海大學(xué)美術(shù)學(xué)院、東華大學(xué)——萊佛士國際設(shè)計(jì)專修學(xué)院、蘇州大學(xué)、武漢理工大學(xué)、武漢大學(xué)、華中科技大學(xué)、廣西師范大學(xué)、景德鎮(zhèn)陶瓷學(xué)院、深圳職業(yè)技術(shù)學(xué)院和湖南師范大學(xué)等國內(nèi)主力院校內(nèi)展開活動。工作坊的活動將由中外教師共同確定日程與具體內(nèi)容，活動結(jié)束時由中外教師共同選出優(yōu)秀作品送到北京，參加“工作坊成就展”。
優(yōu)秀作品將在中央美術(shù)學(xué)院展廳進(jìn)行重點(diǎn)展示，展品的形式多樣，即有平面的印刷品，也有瓷器，絲綢，多媒體設(shè)計(jì)等等，呈現(xiàn)形式各異。展出期間還將由評審組專家選出十件“工作坊成就展”獲獎作品——暨2009世界設(shè)計(jì)大會“中國設(shè)計(jì)工作坊”優(yōu)秀作品。
Workshop Achievements Exhibition
Date: 2009.10.27-11.06
Opening: 2009.10.27 06:00 pm
Location: Exhibition Hall,CAFA Art Museum
Organized by: CAFA
Co-organized by: CAFA, China Academy of Art, Shandong University of Art and Design, Nanjing Arts Institute, Fine Arts College of Shanghai University, Educational institution: Raffles Design Institute – Shanghai, Suzhou University, Art and Design College of Wuhan University of Technology, Urban Design Institute of Wuhan University, Mechanical College of Huazhong University of Science and Technology Department of Industrial Design, Fine Arts College of GuangXi Normal University, School Of Art&Design Jingdezhen Ceramic Institute, Shenzhen Polytechnic , Shenzhen Exhibition Industry Association, Design Department, Institute of Art, Hunan Normal University
“Greengaged-中國”可持續(xù)設(shè)計(jì)展
展覽時間：2009年10月27日至11月06日
開幕時間：2009年10月27日18：00
展覽地點(diǎn)：中央美術(shù)學(xué)院美術(shù)館院內(nèi)展廳
主辦單位：Greengaged
協(xié)辦單位：中央美術(shù)學(xué)院、英國大使館文化教育處、金斯頓大學(xué)
Greengaged是源起于倫敦設(shè)計(jì)節(jié)的可持續(xù)專題活動。Greengaged致力于傳播產(chǎn)品、平面、傳媒、時尚，服務(wù)等各領(lǐng)域的可持續(xù)設(shè)計(jì)策略，促進(jìn)設(shè)計(jì)對環(huán)境產(chǎn)生積極的影響，激發(fā)設(shè)計(jì)師在可持續(xù)領(lǐng)域的設(shè)計(jì)和創(chuàng)新。 Greengaged 08由Thomas Matthews, [re]design, Kingston University主辦，英國設(shè)計(jì)委員會承辦，在倫敦設(shè)計(jì)節(jié)期間成功舉行，并在英國設(shè)計(jì)界引起了極大的積極反響。
今年，Greengaged 計(jì)劃在九月從倫敦出發(fā)，到世界各地交流推廣可持續(xù)設(shè)計(jì)。Greengaged 希望策動一次全球設(shè)計(jì)界的聯(lián)合行動，倡導(dǎo)設(shè)計(jì)師應(yīng)具有的社會責(zé)任感和環(huán)境意識。Greengaged 09的最終目的地是在十二月哥本哈根聯(lián)合國氣候高峰會議COP15——將集中展示國際設(shè)計(jì)界在應(yīng)對全球氣候變化中的重要作用。
在中國，Greengaged協(xié)手中央美術(shù)學(xué)院，英國大使館文化教育處(中英創(chuàng)意企業(yè)家網(wǎng)絡(luò))，社會創(chuàng)新與可持續(xù)設(shè)計(jì)聯(lián)盟等國內(nèi)外伙伴，將在Icograda 北京世界設(shè)計(jì)大會上推出一系列的可持續(xù)設(shè)計(jì)活動。同時，也將作為英國文化協(xié)會的創(chuàng)意企業(yè)家網(wǎng)絡(luò)的可持續(xù)設(shè)計(jì)交流活動——幫助有志投身創(chuàng)意產(chǎn)業(yè)的年輕人和創(chuàng)意企業(yè)家了解如何有效地結(jié)合設(shè)計(jì)創(chuàng)意和綠色商機(jī)。「Greengaged-中國」旨在匯集中國設(shè)計(jì)界的綠色力量,倡導(dǎo)可持續(xù)設(shè)計(jì)，宣傳綠色的生活方式和可持續(xù)發(fā)展的價值觀. 屆時將邀請可持續(xù)設(shè)計(jì)領(lǐng)域最前沿的設(shè)計(jì)師和革新者來到中國，通過工作坊，實(shí)地參觀訪問，研討，論壇， 展覽多種等形式，傳播推廣可持續(xù)設(shè)計(jì)的思想，知識和實(shí)踐。內(nèi)容將包括可持續(xù)設(shè)計(jì)成功案例分析，綠色創(chuàng)意企業(yè)家的經(jīng)驗(yàn)分享，專家面對面指導(dǎo)如何執(zhí)行可持續(xù)設(shè)計(jì)，展望可持續(xù)設(shè)計(jì)的市場機(jī)遇和發(fā)展前景等。
Greengaged Exhibition
Date: 2009.10.27-11.06
Opening: 2009.10.27 06:00 pm
Location: Exhibition Hall,CAFA Art Museum
Organized by: Greengaged
Co-organized by: CAFA, British Council, Kinston University
The organizing committee of Icograda World Design Congress 2009 Beijing and the 1st Beijing Design Week is glad to announce the Greengaged-China sustainable design events, a collaboration between Central Academy of Fine Arts (CAFA), British Council (China), Design for Social Innovation and Sustainability Network China (DESIS-China) and Greengaged (UK), as part of the congress in October 2009. This series of events include a pre-conference workshop, presentations at the professional conference and an exhibition.
Greengaged was first launched as the sustainable design hub of London Design Festival in 2008, organized by Thomas Matthews, Kingston University, [re]design and held at the Design Council in Covent Garden, London. Built on a successful programme of engaging events, Greengaged is spreading its reach for 2009 and going international!
From September to December 2009, Greengaged will be running a new programme of design events and workshops across the world. With an intent to demonstrate the importance of using and understanding design when tackling global climate change, Greengaged will be collecting insights and conclusions from its international events and taking them to the COP15 United Nations Climate Change Conference 2009 in Copenhagen.
In China, Greengaged are working with partners such as Central Academy of Fine Arts (CAFA), Cultural and Education Section of the British Embassy, Design for Social Innovation and Sustainability Network China (DESIS-China) to run sustainable design events. Central Academy of Fine Arts (CAFA), a lead organiser of the Icograda World Design Congress 2009 Beijing, is committed to sustainable design and keen to host Greengaged-China as a session of the congress. In response to the theme of the conference, Greengaged-China aims to engage the wider design industry in getting involved, becoming informed and sharing expertise and opinions. Greengaged-China will also be running as part of the British Council’s “China-UK Creative Entrepreneurs” events to explore how creative entrepreneurs can contribute to a sustainable future.
As it has done in the UK, Greengaged-China will initiate workshops, debates, excursions and exhibitions in an exciting programme of events. Featuring some of the most forward-thinking designers and innovators in the fields of design and sustainability, the programme will cover:
• An introduction on sustainable design thinking, knowledge and practices
• A dialogue on sustainable design between international sustainable design experts and Chinese design community.
• Case studies of the latest sustainable design initiatives
• Successful experiences of creative entrepreneurs in sustainable design business
• Explanation and discussion on how sustainability can be built into the design process
• Good practice guidance from sustainable design experts
• Vision on opportunities, trends and future development
【編輯：張瑜】
