“板上釘釘” 鄭維個展
策展人：黃燎原
開幕時間：2010年03月20日下午16：00---18:00
展覽時間：2010年03月20日至4月20日
展覽地點(diǎn)：北京現(xiàn)在畫廊，草場地紅一號院E座
板上釘釘
鄭維的作品一直圍繞著“質(zhì)感”展開，如果說之前對老照片的描摹是揣摩時光和有關(guān)死亡的質(zhì)感，“給我一些思想”系列是追求智慧的質(zhì)感，那么本次展覽的新作則是對藝術(shù)作品表面質(zhì)感的最大化呈現(xiàn)。這里的表面既包括作品媒介最終呈現(xiàn)出來的創(chuàng)作方式的表面呈現(xiàn)，更包括傳達(dá)作品內(nèi)涵的視覺效果的表面呈現(xiàn)。
對畢業(yè)于中央美術(shù)學(xué)院版畫系的鄭維，版畫的制作方式和制作過程不僅是他的創(chuàng)作方式，更是他的創(chuàng)作方法論。無論是何種類型的版畫，創(chuàng)作的過程都需要經(jīng)歷制作母版、印刷、調(diào)試一系列過程。在這個過程中，母版作為印刷的基礎(chǔ)是最重要卻最被忽視的因素。鄭維此次展覽的作品直接對木板進(jìn)行再創(chuàng)作，使作品既具有版畫的效果，又跨越了版畫和油畫的界限。木板雕刻呈現(xiàn)出的油畫肌理效果，金屬穿透木板獲得的立體空間，拼貼與畫面的若即若離形成的張力，最終使鄭維的作品成為一種無法定義的作品種類，并且獲得了空前復(fù)雜的視覺效果。這種效果里隱含著一種情緒的暴力，不是通過畫面，而是通過制作過程的暴力，使作品獲得了直接穿透人心的震撼效果。
Nails on the Board, Zheng Wei solo exhibition;
Curator: Huang Liaoyuan
Reception: Mar 20th (Sat.), 4pm—6pm
Duration: Mar 20th 2010 - Apr 20th 2010
Venue: Building E, Red Yard No.1, Cao Chang Di, Cui Ge Zhuang, Chaoyang Dist., Beijing Beijing Art Now Gallery
Zheng Wei’s works have always focused on TEXTURE, the series of old photos were all about the texture of time and death; the series of GIVE ME SOME IDEAS were pursuing the texture of wisdom, but this time Zheng Wei’s solo exhibition Nails on the Board is a show which maximized the texture of the medium of his works. The new medium Zheng Wei is using does not just show his creation finally done, but also the visual effects which can truly deeply reflect the meanings he wants to express.
Graduated from Central Academy of Fine Arts; printmaking department, Zheng Wei finds the way he creates prints is not only his art style, but also his creating theory. No matter what types of prints to be made, the process always necessarily includes master board production, printing, debugging and etc. During the whole process, master board as a basis, is the most important part, but also the easiest to be neglected. In this exhibition, Zheng Wei directly recreated on wooden board, which gives the works an effect of prints, and cross over the boundaries of prints and oil paintings. Zheng Wei’s wood carving shows the special effect of oil painting, a three dimensional space was created when the metal penetrated the wooden board; it ambiguously formed a tension between the space and the surface of the works. It certainly reached undefined types of art with very complicated visual effects. This effect implies an emotional violence, not through the images, but through the violence the art itself has to go through during the process of making art, which has won the truly shocking effect for the art works.
【編輯：張瑜】
