開幕酒會(huì) 2010年5月8日 星期六下午3點(diǎn)-6點(diǎn)
展覽時(shí)間 2010年5月1日 – 6月13日
展覽地址 安妮畫廊
798藝術(shù)區(qū)A區(qū)797東街
北京市朝陽區(qū)大山子酒仙橋路2號(hào)
北京8502信箱 郵編100015
閉著眼睛與睜著眼睛：胡柯雕塑與張婕油畫
胡柯與張婕不但在生活中走到一起，而且在藝術(shù)上也形成一種連理關(guān)系：關(guān)注個(gè)體生命的焦慮，并且表現(xiàn)對(duì)象均為女性。既然是連理，就是一個(gè)共同體中的不同個(gè)性，他們兩個(gè)的不同之處，除了雕塑與油畫之別，還有人物的閉眼與睜眼之別：胡柯作品中的女性一律閉著眼睛，張婕作品中的女性一律睜著眼睛。那么睜著眼睛的與閉著眼睛的有什么區(qū)別意義呢?
我們都知道眼睛是心靈的窗子，既然如此，打開與關(guān)閉就有重大的區(qū)別了，不論是在生活中，還是在藝術(shù)作品中。由于藝術(shù)作品中的眼睛是由藝術(shù)家決定的，于是就成了我們解讀藝術(shù)作品的線索。張婕作品中睜著的眼睛，是一種自我流露，是女人講自己的故事;胡柯作品中的閉著的眼睛，是男人對(duì)女人的觀察，是男人講女人的故事。這種藝術(shù)創(chuàng)作的不同所對(duì)應(yīng)的社會(huì)現(xiàn)象，一是女人更愿意談?wù)撟约海腥烁敢庹務(wù)撋鐣?huì)，就這一點(diǎn)而論，可以說家是女人的國，國是男人的家;二是女人喜歡觀看自己，男人喜歡觀看女人，所以，隨身攜帶鏡子的是女人而不是男人。當(dāng)然，這種區(qū)別是統(tǒng)計(jì)學(xué)意義上的，而不是真理意義上的。
不論女人講自己的故事還是男人講女人的故事都有喜怒哀樂之別，但胡柯和張婕都把注意力放在了“女人悲”上，現(xiàn)代的說法叫壓抑或者焦慮。區(qū)別在于，張婕的作品更多的是女性生命焦慮的感性表達(dá)，盡管也有理性符號(hào);胡柯的作品則基本上是對(duì)女性生命焦慮的理性思考，盡管源于感性世界。張婕的作品體現(xiàn)的是自己內(nèi)心世界與外部規(guī)范的沖突，這應(yīng)當(dāng)源于社會(huì)對(duì)女性的制約大于男性。胡柯的作品表現(xiàn)的是“欲”與“禁”在女性自身的矛盾。
最后我想說的是，兩位川美出身的藝術(shù)家，分別延續(xù)的“羅中立線索”與“何多苓線索”。這兩條線索都貼近人生，前者偏重對(duì)人生的理性思考，胡柯基本上屬于這條線索;后者偏重對(duì)人生的感性表達(dá)，張婕基本上屬于這條線索。
王小箭
2010年4月13日于北京皇亭子
Eyes Talk
Zhang Jie & Hu Ke Sculpture and Oil Painting Exhibition
Opening 3pm-6pm Saturday 8th May 2010
Duration 01 May – 13 June 2010
Venue ANNIART
797 East Street, 798 Art Zone
2 Jiuxianqiao Road
Chaoyang District Beijing China 100015
P.O.Box 8502
Eyes Closed & Eyes Open: Hu Ke’s Sculptures and Zhang Jie’s Painting
Hu Ke and Zhang Jie are not only live together as a couple, and their works related as well as a couple: the works all concerning about the anxiety of the individual life, and the realization of the object are women. As a couple, they are also a person-in-community. The differences between their works, in additionally to sculpture and oil painting, the characteristics is eyes closed and eyes open: Hu Ke’s works of women all with eyes closed, and Zhang Jie’s works of women all with eyes open. What is the meaning of the different with eyes closed and eyes open?
As we know that the eyes are the soul of the heart. That there was a significant difference between closed and open whether in our life or in the art works. As the eyes in the art works is determined by the artists, that it became the guide to led us to explants the works. Open eyes in Zhang Jie’s works is a self-revealing, a woman telling their own story; Closed eyes in Hu Ke’s works is a observation of men to women, a men telling story of woman. The corresponding to the difference of art works -
Women are more willing to talk about themselves, and men are more willing to talk about public topics. On this point it is concerned – home is a women’s world, the world is men’s home. The second point is women love to watch themselves, men love to watch women. So, more women carry a mirror than men on the statistically rather than the truth.
Whether women telling their own story, or men tell the story of a woman, they have different emotions. Hu Ke and Zhang Jie all focus on the sad woman, or in the modern way is called depression or anxiety. The different is: Zhang Jie is a more emotional expression with rational symbols; Hu Ke is a rational thinking of women’s life, while from sensible filling. Zhang Jie’s works is reflected in their inner world and external norms conflict - this derived from the social constraints on women than men; Hu Ke works shows that desires and contradictions on women its own.
Finally, I’d like to say, the both of artists from Sichuan Academy of Fine Arts, were continued “Luo Zhong Li” and “He Duo Ling” styles. The two leads are close to human life. Hu Ke is more likes Luo Zhong Li’s style - Rational to life; And Zhang Jie is more likes He Duo Ling’s style - Emotional expression in painting.
Wang Xiao Jian
Huangtingzi Beijing
13-4-2010
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ANNIART
797 East Street
798 Art District
2 Jiuxianqiao Road
Chaoyang District Beijing China
PO Box 8502 Beijing 100015
【編輯：張瑜】
